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Ruth Feldstein
Screening Antiapartheid: Miriam Makeba, “Come Back, Africa,”
and the Transnational Circulation of Black Culture and Politics
Shari L. Dworkin, Amanda Lock Swarr, and Cheryl Cooky
(In)Justice in Sport: The Treatment of South African
Track Star Caster Semenya
Athena Edmonds
Anger Management Kit (Poetry)
Andrea Deagon
The Golden Mask: Tipping the Belly Dancer in America
Priyamvada Gopal
Speaking with Difficulty: Feminism and Antiracism
in
Britain after 9/11
Isis Nusair
The Cultural Costs of the 2003 US-Led Invasion of Iraq:
A Conversation with Art Historian Nada Shabout (Art Essay)
Revisiting Roe v. Wade: Anniversary Cluster
Carly Thomsen
From Refusing Stigmatization toward Celebration:
New Directions for Reproductive Justice Activism
Alison Piepmeier
"The Inadequacy of “Choice”: Disability and What’s
Wrong
with Feminist Framings of Reproduction
Dawn Laguens
Planned Parenthood and the Next Generation
of Feminist Activists
Alissa Quart
Green Fairy; Obscene Supplement (Poetry)
Barbara Sutton and Elizabeth Borland
Framing Abortion Rights in Argentina’s
Encuentros
Nacionales de Mujeres
Karen Weingarten
Talking Sex: The Rhetorics of Reproduction,
Sex Education,
and Sexual Expression in the
Modern United States (Review Essay)
Christine Labuski
Vulnerable Vulvas: Female Genital Integrity
in
Health and Dis-ease
Sarah-Jean Krahn
The Impersonal is Poclitical (Poetry)
News and Views Forum
Poulami Roychowdhury
“The Delhi Gang Rape”: The Making of International Causes
Debolina Dutta and Oishik Sircar
India’s Winter of Discontent: Some Feminist Dilemmas
in the Wake of a Rape
Cover Art
Front and Back Cover: Digital blend of Self Portrait II, 2012, by Hanaa Malallah; and title and date unknown, by Madiha Omar.
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